Homelands is a self-collaborative essay based on the dialogue between photography and text in the tradition of Raymond Depardon's Errance. Integrated by seven series, the book conveys my attraction to family-like structures in fragile situations as a subject: from starving rock 'n' roll bands on the U.S. highways, isolated communities in the mountains of Arkansas and the lonely people of New York City, to families trapped in political conflict such as the Sahrawi refugees, the Palestinians of the West Bank or the Turkish Kurds; all of them connected by the constant search for a sense of home.
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